'Ilikeanani and the Missing Fa'arapu
Dec. 19th, 2010 05:07 pmToday was my first Hula show with my new name given to me by Auntie: 'Ilikeanani (The whole meaning.)
It was also the first show I did since last year, when I did that one right after Dad died. I hardly remember that show at all, TBH. It was miserable and awful and if I hadn't needed the money I wouldn't have done it. I vaguely remember dancing with an ancient, I mean ancient, tiny, adorable kupuna. She was 100+, wore her hair in 'dreads, and I gave her a flower to wear in her hair. That was the only really nice part I can remember. I danced for a bunch of kupuna. I love love love dancing for old people. They remember Hawai'i the way it used to be, and they get it. The understand what the Hula is.
Today I was dancing for keiki, little kids. That's always a little harder because they require different kinds of entertainment. Plus it was a holiday show, so I had to adjust the theme and throw some holiday songs in there. Drummer Boy and Hawaiian Santa (the latter one I taught to them.) I always get a little nervous around kids to begin with.
And I'm jittery before any show. My dumb Garmin sent me down the wrong street and I was almost late, but made it just as everyone was filing in. They gave me a nice dressing room and a really big place to dance. I like dancing on the floor much better than a stage. Hula traditionally doesn't go on a stage; you do it eye-level. You'd have done it on the beach, or plain old on land, originally. So this stage thing is a relatively new development for Hula and Tahitian.
Sorry for the tangent. Anyway, I got there on time and met the guy who was doing the music for me. I already had my playlist all cued up and ready to go; he just had to follow my signals (stop, go, louder, lower,) and we were all set. Actually, he did such a great job with that, that I'd have to say he was the best sound-guy I've ever worked with.
It started off a little slow, with no one in the audience really sure what to do with me etc. Drummer Boy didn't go across as well as I'd thought it would. I think that particular Hula is maybe for a bit more of an intimate setting, less festive. I'll keep that in mind for next time.
Then I called the keiki up to teach them Hawaiian Santa, and I was surprised at how much they loved it. They were having a great time. When it was their turn to dance, then the parents all got involved and started becoming a part of the show / audience. It got some reactions, finally.
I also included poi spinning in this show, too. I only ever do that when there are either keiki or kupuna, and when the show is casual. The reason for this is that I suck—abysmally--at spinning poi. I know only two or three good poi-spinning tricks and the rest is really just me hitting myself in the back of the head, the ass, the eye, the boob, everywhere. But if it's an informal show, you can joke about that. So I taught them how to swing poi balls around, I gave them each one (there were so many keiki at this point!) and I spun my two. Actually I didn't do so badly; I was pleasantly surprised that it came back to me. We did this through Hoki Hoki and then I ran off to get changed into my Tahitian 'otea garb.
The keiki lovedlovedloved the Tahitian. I told them they could come up and shout with me (because I do that ridiculously loud Tahitian scream, the "tssyaaaaa!" that gets everyone's ears bleeding,) and because I wasn't using my i'i's I let two of the girls shake have them to dance with. (The i'i's are the 'otea pom-poms, I guess you would call them. They're made out of bark though, like the costume itself.)
So I finally performed La Toere and, holy crap, so much harder to perform than to practice. My fa'arapu (the Tahitian fast hip circles) were PAU by the end of the song. I haven't practiced this dance since the summer and it really showed. All the kids were like "How do you do that!" and I was like, "you need a motor in your hips, haha!" meanwhile I was dying. By the time "Tahiti, Tahiti" came on, I was like, "Wow, we're gonna have to just do this like an 'aparima!" Well, not really. That's one of my favorite songs. I've never performed it before, either. It's so much freaking longer when I'm dancing to it than when I play it in the car, DAMN.
But, if my fa'arapu was starting to die, no one noticed it and everyone had a great time.
I finished up singing and dancing Aloha 'Oe, and then we took a couple of pics and I was out of there in about an hour and fifteen minutes all told. A pretty easy and really fun way to make a hundred bucks. I wish I could do this every Sunday, because I seriously would.
Here are some pics, anyway.
(I have a similar pic of me from years ago, same costume, same angle. The file name just reads "Kapunua" and this one just reads "'Ilikeanani" because in a weird way, I draw a line between 'Ilikeanani and "Jules" the way I did with "Kapunua" and "Jules." Is that strange?)
Well, anyway. This was a really nice way of getting back into Hula. For all that I have these many other interests and lifestyles, this is one that I always hope will be with me forever, and I always rejoice when I'm thrown a chance to be that person again. Sometimes it's a few times a month and sometimes it's just once a year. But I take it any time I can get it. :D
Hau'oli makahiki hou!