Taste of Chaos indeed
Mar. 25th, 2007 12:10 amSTAND BY FOR TL/DR
So I had really low expectations about last night's concert. Short set, crappy venue, etc, you know the drill. But as it turns out, barring a few stressful asides, it was an awesome concert and an all around awesome night.
Because this is me, you can expect me to begin at the beginning, or at least the beginning that is relevant to me, which is early in the afternoon as my Mom and I went to pick up Jo-chan from school. (Okay, let me speak plainly; her name is Meg, I'm sure most of you know that by now, and I certainly introduced her to enough people last night anyway.) It was a weird feeling, because we picked her up from school the last time we went to a 30 concert together. We took my car and put my iPod on shuffle and talked the whole way. I like driving places with my Ma because then we get to talk and I get to foist all of my favorite songs on her. (Another odd aside: I've noticed that people in my family and social circle never "play a song" for someone else: you "show them a song." Like, "I've got to show you this song that I love.") So I showed my Mom some songs, and then when we picked Meg up, Meg showed us some songs from her iPod. Back home, you can imagine that I was a jittering freak, but I like to think I kept it all chill. Meg had forgotten her 30STM T shirt, and I thought that was actually kinda fortuitous, because I wanted to make one for her. You may remember from my last post that my shirt was the phoenix with my favorite lyric from 30's song "Attack": "Surrender to nothing." It's what I painted on my escaped bride costume for the Halloween concert. That's not my favorite song by a long shot, but it is my favorite that they do live, and I always love to scream those lyrics out like it's my job. Meg picked the phoenix design too, and her favorite lyrics: "It's not a matter of luck, it's just a matter of time" from "Edge of the Earth" (which, incidentally, is my favorite song that they do.) So we made her T shirt and then we painted some gold stuff on there. We didn't know what to do with the negative space: Chinese caligraphy (since 30 is all about CHina these days,) or the Echelon X or some other glyph or symbol? Eventually she settled on the Echelon X and--I kid you not--the Triforce. We LOLled.
Then we had pizza, I got directions to the coliseum, and off we went.
( The word of the day is BOTCH. Getting lost and getting there. ) I said to the security guy, "God, I'm getting too old for this." He smiled and said, "No you're not," and ushered us in.
( the pit, Saosin, Senses Fail )
The set of the Taste of Chaos tour revolves: that is, it's built on a revolving stage. So when this band went off, all they had to do was turn the stage around to reveal 30's new set. I like this set ever so much more than their "masked masses / banners" one. This new set actually is reminiscent of my living room, with red lanterns and hanging Chinese charms and banners with kanji calligraphy on them. (For those who dont' know: 30 Seconds To Mars did a video for their song "From Yesterday" and they filmed it in China. It even had Kung Fu in it! So now they are all about Chinese art and myth. And I'd like to add, for the record, that I was all over this style before From Yesterday came along. ;D I could've told you this stuff was cool like ten years ago.) I thought it would be terribly exciting when they turned the stage around, but it really wasn't all that mind-blowing. We waited around for a few minutes while some stupid bimbo sat on some guy's shoulders and flashed her boobs to everyone in the audience. We looked at the time. I told Meghan, "When 30 comes on, don't let the crowd panic you. Have fun, dance, mosh, scream, do whatever you want: no one is going to hurt you. We might get shoved, but that'll be the worst of it. Iv'e got your back and so does this guy here." Indicating the security guy we'd sort of latched onto. Immediately there was a difference. I think I needed to say that to her for both of us, because then we both chilled out and decided that we were just going to have the best possible time, and I felt really safe where we were standing. Meghan had a great view to the stage and so did I.
The lights went down, and the screaming started. After years of seeing shows in clubs exclusively, I'd forgotten how loud an entire forum of screaming people can get. LOUD. Manic. Lights down and the beginning of O Fortuna, which I never miss the opportunity to joke about (Ozzy used it, Michael Jackson used it, it's in eveyr movie in the world, it's played out, etc.) but which still always makes my arm hairs stand up when it starts playing and the lights start flashing. Meghan was giggling her head off out of honest excitement and I thought of myself when I was 14, hearing this same song in this same coliseum, waiting for Ozzy Osbourne to come on, only then it was in high seats miles away from the stage. And even then it still made me scream and leap up. I could imagine what Meghan was feeling just then, so close to the stage, the music so loud, her favorite band about to come storming on ... Onto the stage... At some point. It was really taking a long time. I like to videotape this part but watch it, too (I find that when I don't live things as much when I'm looking through the viewfinder, so I hold the camera over my head,) and I had the camera trained on the stage, wondering where the eff these guys were.
And then Meghan: "Oh, LOOK! LOOK! TURN AROUND!"
( Those sons o'botches were right behind us! )
You can't see it from that recording because I edited it in MovieMaker, but after I got jostled by the fangirls and grabbed my camera again, I kept recording ... upside down. BWAHAAA! For those of you who don't have flash or didn't feel like clicking on that video, here's how it went: the guys surprised the bejesus out of all of us by entering through the audience a few yards behind us. Then the went running through the barrier, Jared leading them with a bunch of roses, Shannon and Tim with flags (I think? It happened really fast,) right past us. Hundreds of hands reaching out. Tim went last and I screamed to Meghan, "That's Tim, the new guy!" I wasn't sure how I felt about that, though.
( Wait a minute...Why does someone fall in the pit at the same time during every show? A Beautiful Lie. ) I thought it would be a good show for them. I underestimated. They blew my frigging mind this time.
I've always loved Attack live, beacuse I like when the audience sings along, but most of all I like when Jared says that "this is a song about freedom" and the way he sings "surrender to nothing" and then I get to scream "I AM FINALLY FREE" along with everyone else. But instead of the usual "song about freedom" blahblah, Jared just started screaming "FREEDOM! FREEDOM! FREEDOM!" and there was something so anthemic about it. Earlier I (rightly, I think,) suspected his honesty about people falling down in the pit. I had no suspicions of any kind of insincerity or reliance on cliche when he started doing that. Meghan and I were screaming it along with him. And in the video, you can hear us both: "I AM FINALLY FREE!" Because when you're down there on the floor during a concert by your favorite band, there's nothing else but you and the music and the jumping around madly. Earlier in the night I had told Meghan to jump, scream, mosh, have fun; what I meant was "be free." And then there was me during the second chorus when he sang that line again, spinning in a big circle with my arms spread out, looking at the flashing lights and screaming along with the words. (We actually had the space to do this. We really did choose a perfect spot.)
Then Jared asked if there were any old-school mother-effers in the audience, and I started to raise my hand up and bordered on shouting "WOOOO!" but stopped myself when I realized that I have only liked this band since last Spring and am hardly old-school. But I knew they were going to play something from their first album--my favorite by them--and I got all excited anyway. It was Buddha for Mary and I turned to Meghan and said, ( Cover me, boys, I'm goin' in! )
Yes, that is me screaming along with the "I don't believe in god" part. And you might not be able to tell it from that video, but he is standing on people just then; they're all holding him over their heads. I've seen this a million times and it still amazes me. (Or as he said in an interview once: "A 750 pound woman could jump in and the crowd would catch her. When it's a skinny punk like me..." :D )
Oh, then they did Savior. Not a favorite of mine live, but I love the defiant lyrics to this one, and they did a great job. I'd heard that this song was difficult for them to do live, but they didn't seem to have a problem with it last night, because it came across really well.
( DON'T YOU SEE YOU CAN'T MAKE IT! )
Next came From Yesterday. I've heard them do this at every concert I've seen, and usually Jared doesn't go for the highest notes on this one when he does it live, which actually sounds just as good. It doesn't sacrifice the melody or the intensity, and I have always appreciated the fact that it's not a song you can really do night after night for months without losing your voice. But last night he did it all the way through and hit every note just like in the song. He totally shredded his voice, I thought. I mean, it had to hurt. But holy crap, it sounded so intense. Meg and I were just looking at each other with our jaws on the floor.
( Battle of One, personal mosh pit. )
Then came Meg's favorite, ( The Mofoing Fantasy. )
And then it was time for what is usually the biggest number of the night, The Kill. I'm not cutting this because if you watch no other video in this writeup, this is the one to watch. Okay, so I get that this is a controversial song because it signaled some change in the band from old-school to sell-out or whatever, or that it brought in a lot of unwanted fans (the biggest stigma in 30STM fandom: "BROUGHT IN BY THE KILL!") Hey, too bad. This is the song that got me into this band, and aside from that, it's an awesome song. Call it what you like: mediocre, common, radio-friendly, whatever. The song is masterful. The video is masterful. And I love it when they play this one live, because the entire audience sings along and the group vibe is really strong. Jared made us wait forever with this one. "THIS SONG!!!" (pause) "IS CALLED!!!!!" And I swear to you, he stood there dramatically with his arms crossed over his chest for about two whole minutes like he was waiting for some sort of acknowledgment or something. And then, just like he did on Halloween: "Shhhhhh!" (Which cracks me up every time.) "THE KILL!" And this is everyone's cue to go totally off their collective nut.
Usually Jared does a stage dive during this song; occasionally he does something dangerous and just goes running through the audience. But this is a HUGE venue so I wasn't counting on anything like that. And I admittedly got a teeny bit worried when all of a sudden he disappeared from sight. One second he was on stage, the next he was gone. I joked with Meg, "Uh uh, man down. J's out of sight." Meg leaned up against the guard rail and said, "Oh my god! There! There!" And lo: Jared, way the hell across the stadium, standing up on the barricade on the other side. He was still singing, too, it was like he just emerged out of the depths. For a second I said to myself, "Huh, no fair: how come the folks on that side get their own personal show?" And then, like a second later my brain said, "Oh ... Wait. Jared. This freight train's going all the way around."
And then my camera batteries died.
BUT!! I knew it would take him a few seconds to get all the way around, so I shut my camera off, quickly "fooled" the batteries by switching them, closed it back up and turned it back on. And just in time for this:
Seriously, he hopped up onto the easily-four-foot high barrier like he was a little cricket--DOINK!--off of one foot and landed with perfect balance. When I saw it, I thought I must have seen it wrong. But when I watch the video back, I can see him take that leap up there like he was Peter Frigging Pan. Does gravity not matter? During this time it also occured to me that there's something reptilian about Jared Leto. The slow blink, the flick of the tongue, and in all honesty, how he stops you dead when he turns his basilisk eyes toward you. I know I've said this before, but pictures and videos don't do him justice. He's all crazy eyes, white teeth and sharp jaw, and he doesn't have pores. Totally unnatural.
Back up on stage he was all drama, head down and emo fringe over his eyes, head thrown back and "worship me" pose. I think he's like a psychic vampire sometimes; he feeds off the group vibe, and negativity probably gives him aura-indigestion. ;D
They finished with about 45 seconds of that "new" song they've been "introducing" for a few years, but the intro was just Shannon and Tomo and Matt going "BANG BANG BANG" and Jared yelling "JUMP JUMP JUMP" like in that hip-hop song. Jared was jumping and Tim was doing that moshing thing of his and Tomo was whirling all around, pulled by the centrifugal force of his guitar. I can't imagine how he doesn't crash into things when he does that, like for instance the other guys in the band. Tomo was all OVER this botch last night: here, there, this other place, switching places with Tim, throwing himself to the side, the back, the front. I'd heard he's been sick, but he must have been feeling better last night. He was a joy.
I have always snobbishly maintained that there is an actual ending to O Fortuna which is also exciting and dramatic and all of that, and why did everyone always leave it out when they use the beginning of the song? Last night, that was their exit music and I was very gratified.
( After the show, looking for the boys, following my zen. ) She said, "I like that, 'follow your zen.' Where does your zen say you should go?" I told her, "Outside, man. Outside."
( JARED LEEEEETO! )
So we went the buses and we hung. And hung. And hung. The guys from Chiodos came out of their bus and did an impromptu acoustic set. That's a nice gesture, guys, but you're not 30 Seconds to Mars. (Although "The Lion Sleeps Tonight" is always fun.) Meg and I stood around, still kind of excited and hopeful. I had the gut feeling that we really had already missed Jared and Shannon--and probably Tomo, because he does tend to bugger off to do his own thing sometimes--but I decided to try to hone in on my zen anyway. Just chill. Be in the moment. Have fun. Look around. Turn around.
( Wherein I end up awkwardly hand in hand with the new bassist. ) After he left, Meghan was just glowing; saying, "I'm so happy. This is the best adventure. I love this whole night. I miss Matt so much, but I like that guy."
I like that guy, too. And yeah, I found myself missing Matt, still.
I also found myself missing that feeling that the four guys were all kind of linked up, that whole North-South-East-West, Water-Wind-Fire-Earth, 4=1 feeling that used to resonate. The three guys leaving without the new guy, the feeling that Tim is temporary, that maybe Matt will never be replaced and they'll just have a revolving door of bassists. I could be reading too much into it, but Jared once said that the four of them "fell in love with each other" and I couldn't help but feel like this new dude was left out of that whole vibe. Meghan pointed out that the stickers that they gave out perforate exactly where the picture of Matt begins. Weird, huh?
But not as weird as how effing LOST we got going home.
We said goodnight to JeT'aime and her friend. JeT'aime, if you're reading, you are a sugar pie. ^_^ In the parking lot, I met up with Mizzy (the Queen of the Blood Ball, some of you might remember) and some other Echelon who rode here in an Echelon Car, I kid you not. We chatted for a few minutes. It was really nice to see Mizzy again, and not covered in blood. Then we got into the car and I left through the wrong exit. We rode around in a strange ghetto town for like twenty minutes, stopped in a gas station for directions (which no one could give us,) and then finally I saw a cop on the side of the road and I pulled over. He told us we were on the right track. I thanked him, told him how cute he was (because he was,) and then off we drove. We didn't get home till 1:20; later, I think, than when we saw them in the city.
And of course I have some pics, but very few. The camera is really crappy from a distance, and the ones of J that I got are capped from MovieMaker.
( Jared during the entrance... )
( 4 guys: Chaos. )
( Tim )
( Tim again (we were standing on that side of the stage... )
( 3 guys; Tomo was very hard to capture and was very far away... )
( J, capped from the video... )
( Jesus Christ Pose )
The whole thing was so entirely worth it. Actually, what really made it worth it to me was how happy Meghan was with the whole experience. On the way home, she talked about how she can't wait until they come around on tour again, and it doesn't matter where and when it is; she'll be there. She loved the whole night. She did really want to meet the other three guys--and I hope that next time she gets her chance because they really are a joy--but for just then it was all it was supposed to be and tons more.

So I had really low expectations about last night's concert. Short set, crappy venue, etc, you know the drill. But as it turns out, barring a few stressful asides, it was an awesome concert and an all around awesome night.
Because this is me, you can expect me to begin at the beginning, or at least the beginning that is relevant to me, which is early in the afternoon as my Mom and I went to pick up Jo-chan from school. (Okay, let me speak plainly; her name is Meg, I'm sure most of you know that by now, and I certainly introduced her to enough people last night anyway.) It was a weird feeling, because we picked her up from school the last time we went to a 30 concert together. We took my car and put my iPod on shuffle and talked the whole way. I like driving places with my Ma because then we get to talk and I get to foist all of my favorite songs on her. (Another odd aside: I've noticed that people in my family and social circle never "play a song" for someone else: you "show them a song." Like, "I've got to show you this song that I love.") So I showed my Mom some songs, and then when we picked Meg up, Meg showed us some songs from her iPod. Back home, you can imagine that I was a jittering freak, but I like to think I kept it all chill. Meg had forgotten her 30STM T shirt, and I thought that was actually kinda fortuitous, because I wanted to make one for her. You may remember from my last post that my shirt was the phoenix with my favorite lyric from 30's song "Attack": "Surrender to nothing." It's what I painted on my escaped bride costume for the Halloween concert. That's not my favorite song by a long shot, but it is my favorite that they do live, and I always love to scream those lyrics out like it's my job. Meg picked the phoenix design too, and her favorite lyrics: "It's not a matter of luck, it's just a matter of time" from "Edge of the Earth" (which, incidentally, is my favorite song that they do.) So we made her T shirt and then we painted some gold stuff on there. We didn't know what to do with the negative space: Chinese caligraphy (since 30 is all about CHina these days,) or the Echelon X or some other glyph or symbol? Eventually she settled on the Echelon X and--I kid you not--the Triforce. We LOLled.
Then we had pizza, I got directions to the coliseum, and off we went.
( The word of the day is BOTCH. Getting lost and getting there. ) I said to the security guy, "God, I'm getting too old for this." He smiled and said, "No you're not," and ushered us in.
( the pit, Saosin, Senses Fail )
The set of the Taste of Chaos tour revolves: that is, it's built on a revolving stage. So when this band went off, all they had to do was turn the stage around to reveal 30's new set. I like this set ever so much more than their "masked masses / banners" one. This new set actually is reminiscent of my living room, with red lanterns and hanging Chinese charms and banners with kanji calligraphy on them. (For those who dont' know: 30 Seconds To Mars did a video for their song "From Yesterday" and they filmed it in China. It even had Kung Fu in it! So now they are all about Chinese art and myth. And I'd like to add, for the record, that I was all over this style before From Yesterday came along. ;D I could've told you this stuff was cool like ten years ago.) I thought it would be terribly exciting when they turned the stage around, but it really wasn't all that mind-blowing. We waited around for a few minutes while some stupid bimbo sat on some guy's shoulders and flashed her boobs to everyone in the audience. We looked at the time. I told Meghan, "When 30 comes on, don't let the crowd panic you. Have fun, dance, mosh, scream, do whatever you want: no one is going to hurt you. We might get shoved, but that'll be the worst of it. Iv'e got your back and so does this guy here." Indicating the security guy we'd sort of latched onto. Immediately there was a difference. I think I needed to say that to her for both of us, because then we both chilled out and decided that we were just going to have the best possible time, and I felt really safe where we were standing. Meghan had a great view to the stage and so did I.
The lights went down, and the screaming started. After years of seeing shows in clubs exclusively, I'd forgotten how loud an entire forum of screaming people can get. LOUD. Manic. Lights down and the beginning of O Fortuna, which I never miss the opportunity to joke about (Ozzy used it, Michael Jackson used it, it's in eveyr movie in the world, it's played out, etc.) but which still always makes my arm hairs stand up when it starts playing and the lights start flashing. Meghan was giggling her head off out of honest excitement and I thought of myself when I was 14, hearing this same song in this same coliseum, waiting for Ozzy Osbourne to come on, only then it was in high seats miles away from the stage. And even then it still made me scream and leap up. I could imagine what Meghan was feeling just then, so close to the stage, the music so loud, her favorite band about to come storming on ... Onto the stage... At some point. It was really taking a long time. I like to videotape this part but watch it, too (I find that when I don't live things as much when I'm looking through the viewfinder, so I hold the camera over my head,) and I had the camera trained on the stage, wondering where the eff these guys were.
And then Meghan: "Oh, LOOK! LOOK! TURN AROUND!"
( Those sons o'botches were right behind us! )
You can't see it from that recording because I edited it in MovieMaker, but after I got jostled by the fangirls and grabbed my camera again, I kept recording ... upside down. BWAHAAA! For those of you who don't have flash or didn't feel like clicking on that video, here's how it went: the guys surprised the bejesus out of all of us by entering through the audience a few yards behind us. Then the went running through the barrier, Jared leading them with a bunch of roses, Shannon and Tim with flags (I think? It happened really fast,) right past us. Hundreds of hands reaching out. Tim went last and I screamed to Meghan, "That's Tim, the new guy!" I wasn't sure how I felt about that, though.
( Wait a minute...Why does someone fall in the pit at the same time during every show? A Beautiful Lie. ) I thought it would be a good show for them. I underestimated. They blew my frigging mind this time.
I've always loved Attack live, beacuse I like when the audience sings along, but most of all I like when Jared says that "this is a song about freedom" and the way he sings "surrender to nothing" and then I get to scream "I AM FINALLY FREE" along with everyone else. But instead of the usual "song about freedom" blahblah, Jared just started screaming "FREEDOM! FREEDOM! FREEDOM!" and there was something so anthemic about it. Earlier I (rightly, I think,) suspected his honesty about people falling down in the pit. I had no suspicions of any kind of insincerity or reliance on cliche when he started doing that. Meghan and I were screaming it along with him. And in the video, you can hear us both: "I AM FINALLY FREE!" Because when you're down there on the floor during a concert by your favorite band, there's nothing else but you and the music and the jumping around madly. Earlier in the night I had told Meghan to jump, scream, mosh, have fun; what I meant was "be free." And then there was me during the second chorus when he sang that line again, spinning in a big circle with my arms spread out, looking at the flashing lights and screaming along with the words. (We actually had the space to do this. We really did choose a perfect spot.)
Then Jared asked if there were any old-school mother-effers in the audience, and I started to raise my hand up and bordered on shouting "WOOOO!" but stopped myself when I realized that I have only liked this band since last Spring and am hardly old-school. But I knew they were going to play something from their first album--my favorite by them--and I got all excited anyway. It was Buddha for Mary and I turned to Meghan and said, ( Cover me, boys, I'm goin' in! )
Yes, that is me screaming along with the "I don't believe in god" part. And you might not be able to tell it from that video, but he is standing on people just then; they're all holding him over their heads. I've seen this a million times and it still amazes me. (Or as he said in an interview once: "A 750 pound woman could jump in and the crowd would catch her. When it's a skinny punk like me..." :D )
Oh, then they did Savior. Not a favorite of mine live, but I love the defiant lyrics to this one, and they did a great job. I'd heard that this song was difficult for them to do live, but they didn't seem to have a problem with it last night, because it came across really well.
( DON'T YOU SEE YOU CAN'T MAKE IT! )
Next came From Yesterday. I've heard them do this at every concert I've seen, and usually Jared doesn't go for the highest notes on this one when he does it live, which actually sounds just as good. It doesn't sacrifice the melody or the intensity, and I have always appreciated the fact that it's not a song you can really do night after night for months without losing your voice. But last night he did it all the way through and hit every note just like in the song. He totally shredded his voice, I thought. I mean, it had to hurt. But holy crap, it sounded so intense. Meg and I were just looking at each other with our jaws on the floor.
( Battle of One, personal mosh pit. )
Then came Meg's favorite, ( The Mofoing Fantasy. )
And then it was time for what is usually the biggest number of the night, The Kill. I'm not cutting this because if you watch no other video in this writeup, this is the one to watch. Okay, so I get that this is a controversial song because it signaled some change in the band from old-school to sell-out or whatever, or that it brought in a lot of unwanted fans (the biggest stigma in 30STM fandom: "BROUGHT IN BY THE KILL!") Hey, too bad. This is the song that got me into this band, and aside from that, it's an awesome song. Call it what you like: mediocre, common, radio-friendly, whatever. The song is masterful. The video is masterful. And I love it when they play this one live, because the entire audience sings along and the group vibe is really strong. Jared made us wait forever with this one. "THIS SONG!!!" (pause) "IS CALLED!!!!!" And I swear to you, he stood there dramatically with his arms crossed over his chest for about two whole minutes like he was waiting for some sort of acknowledgment or something. And then, just like he did on Halloween: "Shhhhhh!" (Which cracks me up every time.) "THE KILL!" And this is everyone's cue to go totally off their collective nut.
Usually Jared does a stage dive during this song; occasionally he does something dangerous and just goes running through the audience. But this is a HUGE venue so I wasn't counting on anything like that. And I admittedly got a teeny bit worried when all of a sudden he disappeared from sight. One second he was on stage, the next he was gone. I joked with Meg, "Uh uh, man down. J's out of sight." Meg leaned up against the guard rail and said, "Oh my god! There! There!" And lo: Jared, way the hell across the stadium, standing up on the barricade on the other side. He was still singing, too, it was like he just emerged out of the depths. For a second I said to myself, "Huh, no fair: how come the folks on that side get their own personal show?" And then, like a second later my brain said, "Oh ... Wait. Jared. This freight train's going all the way around."
And then my camera batteries died.
BUT!! I knew it would take him a few seconds to get all the way around, so I shut my camera off, quickly "fooled" the batteries by switching them, closed it back up and turned it back on. And just in time for this:
Seriously, he hopped up onto the easily-four-foot high barrier like he was a little cricket--DOINK!--off of one foot and landed with perfect balance. When I saw it, I thought I must have seen it wrong. But when I watch the video back, I can see him take that leap up there like he was Peter Frigging Pan. Does gravity not matter? During this time it also occured to me that there's something reptilian about Jared Leto. The slow blink, the flick of the tongue, and in all honesty, how he stops you dead when he turns his basilisk eyes toward you. I know I've said this before, but pictures and videos don't do him justice. He's all crazy eyes, white teeth and sharp jaw, and he doesn't have pores. Totally unnatural.
Back up on stage he was all drama, head down and emo fringe over his eyes, head thrown back and "worship me" pose. I think he's like a psychic vampire sometimes; he feeds off the group vibe, and negativity probably gives him aura-indigestion. ;D
They finished with about 45 seconds of that "new" song they've been "introducing" for a few years, but the intro was just Shannon and Tomo and Matt going "BANG BANG BANG" and Jared yelling "JUMP JUMP JUMP" like in that hip-hop song. Jared was jumping and Tim was doing that moshing thing of his and Tomo was whirling all around, pulled by the centrifugal force of his guitar. I can't imagine how he doesn't crash into things when he does that, like for instance the other guys in the band. Tomo was all OVER this botch last night: here, there, this other place, switching places with Tim, throwing himself to the side, the back, the front. I'd heard he's been sick, but he must have been feeling better last night. He was a joy.
I have always snobbishly maintained that there is an actual ending to O Fortuna which is also exciting and dramatic and all of that, and why did everyone always leave it out when they use the beginning of the song? Last night, that was their exit music and I was very gratified.
( After the show, looking for the boys, following my zen. ) She said, "I like that, 'follow your zen.' Where does your zen say you should go?" I told her, "Outside, man. Outside."
( JARED LEEEEETO! )
So we went the buses and we hung. And hung. And hung. The guys from Chiodos came out of their bus and did an impromptu acoustic set. That's a nice gesture, guys, but you're not 30 Seconds to Mars. (Although "The Lion Sleeps Tonight" is always fun.) Meg and I stood around, still kind of excited and hopeful. I had the gut feeling that we really had already missed Jared and Shannon--and probably Tomo, because he does tend to bugger off to do his own thing sometimes--but I decided to try to hone in on my zen anyway. Just chill. Be in the moment. Have fun. Look around. Turn around.
( Wherein I end up awkwardly hand in hand with the new bassist. ) After he left, Meghan was just glowing; saying, "I'm so happy. This is the best adventure. I love this whole night. I miss Matt so much, but I like that guy."
I like that guy, too. And yeah, I found myself missing Matt, still.
I also found myself missing that feeling that the four guys were all kind of linked up, that whole North-South-East-West, Water-Wind-Fire-Earth, 4=1 feeling that used to resonate. The three guys leaving without the new guy, the feeling that Tim is temporary, that maybe Matt will never be replaced and they'll just have a revolving door of bassists. I could be reading too much into it, but Jared once said that the four of them "fell in love with each other" and I couldn't help but feel like this new dude was left out of that whole vibe. Meghan pointed out that the stickers that they gave out perforate exactly where the picture of Matt begins. Weird, huh?
But not as weird as how effing LOST we got going home.
We said goodnight to JeT'aime and her friend. JeT'aime, if you're reading, you are a sugar pie. ^_^ In the parking lot, I met up with Mizzy (the Queen of the Blood Ball, some of you might remember) and some other Echelon who rode here in an Echelon Car, I kid you not. We chatted for a few minutes. It was really nice to see Mizzy again, and not covered in blood. Then we got into the car and I left through the wrong exit. We rode around in a strange ghetto town for like twenty minutes, stopped in a gas station for directions (which no one could give us,) and then finally I saw a cop on the side of the road and I pulled over. He told us we were on the right track. I thanked him, told him how cute he was (because he was,) and then off we drove. We didn't get home till 1:20; later, I think, than when we saw them in the city.
And of course I have some pics, but very few. The camera is really crappy from a distance, and the ones of J that I got are capped from MovieMaker.
( Jared during the entrance... )
( 4 guys: Chaos. )
( Tim )
( Tim again (we were standing on that side of the stage... )
( 3 guys; Tomo was very hard to capture and was very far away... )
( J, capped from the video... )
( Jesus Christ Pose )
The whole thing was so entirely worth it. Actually, what really made it worth it to me was how happy Meghan was with the whole experience. On the way home, she talked about how she can't wait until they come around on tour again, and it doesn't matter where and when it is; she'll be there. She loved the whole night. She did really want to meet the other three guys--and I hope that next time she gets her chance because they really are a joy--but for just then it was all it was supposed to be and tons more.
